There was the fear of the neighboring caregiver who was aske to leave. Fear to the point of no longer being able to look at the screens. Some in the audience expresse indignant discontent. The accusation of voyeurism brandishe as a defense against the unbearable. The fear of Guessing death behind these scenes. Yet the image precisely had an antidote. The the voices of the caregivers who said the exact opposite.
These gowns
The masks and hairnets. The strove to talk about life even at the moment forex database of the most terrible choices. Often women. Smiles. The faces. The next to the words. The spoke volumes. In the shadow of anonymity. The some confesse their dismay. They. The they. The cracke. Horrible pace. The too many deaths. The lack of means. So many truths. And fear. In the confinement of confinements. The there were the EHPADs.
A tragic close-door situation
Where people die in large numbers was mentione… As much as possible on TV. Plans of buildings. The interviews with a boom with a microphone equippe with protective plastic for TV (one of the emblematic images of the reuctive for anyone who wants to know more about the emerging TV journalist in times of pandemic). We saw a few images of coffins. The mortuary vans. The and other white sheets to hide the sinister spectacle.
Death does not approach like that. More discreetGuessing death behind these scenes than ever. The at the behest phone number thailand of the authorities. The the farewell ceremonies. The the tears. The were absent… Fade to black. Marie de Hennezel spoke of this denial of death. The least of dignities also require this quasi-neutralization of the image. In Italy. The the chapels of rest set up in the north of the country will nevertheless remain etche in memories.